Эмбер Роуз Тэмблин (Amber Rose Tamblyn) — американская актриса и поэтесса.
Дочь актёра Расса Тэмблина и крестница актёра Дина Стоквелла, родилась 14 мая 1983 в городе Санта-Моника, Калифорния, США. После успешного выступления в спектакле "Пеппи Длинный Чулок" Эмбер была замечена агентами. На заре своей карьеры она снялась в фильмах "Live Nude Girls" и "Johnny Mysto: Boy Wizard", а также сериале "General Hospital". Занимается вокалом, рисует и пишет стихи.
Наиболее известными ролями являются роль Джоан в сериале Новая Жанна Д’Арк и роль Тибби в дилогии Джинсы-талисман.
На сайте mj1985 небольшая информация о дальнейших планах Эмбер. Оказывается, кроме адаптации книги, она вместе с К. Джейкобс и Эдом Бернсом собирается участвовать в работе над новым сериалом про молодую учительницу. Бернс - сценарист, Джейкобс - режиссер, а Эмбер, видимо, главная героиня:
Following her well-received turn on Fox’s House this season, Amber Tamblyn is staying in business with Fox and House executive producer Katie Jacobs. Tamblyn has teamed with Jacobs and The Wire co-creator Ed Burns for a potential drama series that would find the erstwhile Joan of Arcadia playing a young teacher in the world of public education. The project, which has received a script commitment from the network, is being produced by 20th Century Fox TV. Jacobs came up with the idea for the drama and pitched it to Tamblyn while the two were working together on House. Tamblyn loved it, and the two then brought in Burns, who was a public teacher in Baltimore (as well as a police detective) before he segued into writing. The three developed the project together, with Burns attached to write and Jacobs to direct. Also expected to be part of the show is Lin-Manuel Miranda, the Tony-winning writer-star of the Broadway musical In the Heights. Miranda, also a former teacher, is friends with Jacobs and appeared in the two-hour sixth-season premiere of House, which she directed. Tamblyn’s final episode of House is slated to air later this month.
Amber Tamblyn on Bittersweet House Departure: 'I Didn't Want To Go'
In the end, Martha Masters just couldn’t play House. Yes, on Monday, Amber Tamblyn’s season-long run on Fox’s medical drama came to an end when her by-the-books character spent a painful day playing by Dr. Crankypants’ rules – in other words, none. While the PYMD’s fate was left up in the air, Tamblyn’s next step is pretty much set in stone: The Joan of Arcadia alum is developing a new Fox series with House exec Katie Jacobs and The Wire co-creator Ed Burns that will find her playing a public school teacher. Just hours before her swan song aired, the actress explained why she opted to not permanently call House home and revealed what Hugh Laurie did that brought her to tears. (No, the nice kind of tears… You’ll see.)
TVLINE | Do you think House drove Masters out of the medical profession or just Princeton-Plainsboro? That’s a good question. It’s left open… I think she is going to still practice [medicine]. At the end of the day, she just couldn’t do what House does.
TVLINE| House creator David Shore has made no secret of the fact that he would’ve loved to have kept you around full-time. At what point did you decide you were going to leave to pursue this new series with Ed Burns and Katie Jacobs? I’ll be perfectly honest. The three of us – me, Katie Jacobs and David Shore – were talking about doing something together. That was the original situation. And it just seemed kind of impossible for David to be working on more than one incredible show [at the same time]… I didn’t really want to separate myself from either one of them. I think they’re both so fantastic. But realistically, we knew it was not going to be able to work out that way, so Katie and I got his blessing and went and did our own thing… Thirteen episodes was always what I signed up to do. That was the plan all along. I never had any intention of staying longer than 13 episodes. That got really emotionally difficult toward the end because I didn’t want to go. But Katie and I fell in love with this other project and I knew the time was right.
TVLINE | Was there ever a moment when you considered sticking around? I don’t think I could’ve. I like to jump around a lot. I feel this way a lot about projects. I felt this way about Joan of Arcadia, because people were really upset about that ending and they always ask and I always say, “I think it’s better to have two really fantastic seasons of television than… Who knows what would’ve happened after that?” I don’t like to get comfortable where I am. I think it’s dangerous to be too comfortable in what you’re doing.
TVLINE | Which of your House castmates will you still be friends with five years from now? All of them. I text all of them almost every day. Peter Jacobson does not save my number, so I’ll text him something and he’ll be like, “Who is this?!” And I’m like, “Your worst nightmare, jerk.” Even Olivia [Wilde]. I only worked with her for a week but she’s so awesome. We’ve been texting back and forth. We’re going to try to do dinner next time she’s in town. I really had a Dorothy in The Wizard of Oz moment. I felt like I was coming out of some amazing dream that I’m sad is ending. But I’m also excited because I get to take one of those people from the dream and make a new dream.
TVLINE | Did you get a nice send-off? Hugh Laurie asked me if I wanted to go get drinks after work one day, and I said, “I’d love to.” So I put on my best red lipstick and went to meet him for drinks and he had rented out a restaurant and thrown me a big surprise going-away party. Everybody was there. It was like this whole sit-down dinner. And Hugh gave this really sweet speech about us working together. I was in tears. It blew my mind. And this was on a work night too. I think that’s a pretty rad send-off… No one’s ever done that for me. I called my boyfriend afterwards crying because I was really touched by it, especially since I’m not a main cast member.
That was the plan all along. I never had any intention of staying longer than 13 episodes. That got really emotionally difficult toward the end because I didn’t want to go. But Katie and I fell in love with this other project and I knew the time was right.
Бедная девочка, она, все-таки, не хотела уходить. Посмотрим, как пойдет дело с ее новым проектом, хотя Джейкобс как режиссер меня не вдохновляет.
Quote (Пенечка)
And Hugh gave this really sweet speech about us working together.
Оказывается, в блоге Эмбер куча записей по Хаусу и Ко, а мы не знаем.
Итак. По новому проекту. Incase you haven't heard, the reason that I didn't stay on HOUSE is because I am collaborating with it's executive producer Katie Jacobs on a different show for FOX, which Ed Burns will be writing! Ed Burns co-wrote and co-created one of my all time favorite shows, HBO's The Wire.
I've been dying to share this incredible news with all my fans and friends over the last 6 months that Katie Jacobs and I have been developing this project. And it's been particularly hard not saying anything to the press every time they asked why I was leaving House. I wanted to scream, "No Mr. Ausiello, there is a REAL REASON and it is AWESOME and also I am SUPER INTO YOUR BLAZERS!" (Because really I am into them, the man's got style.) But alas, I had to wait until the deals were closed to talk about it, so while David Shore told everyone I was leaving the show, I in fact could only sadly comment, "...Yep."
The truth is, if this project hadn't come together, I probably would have stayed on House if they'd have me. It turns out, Hugh Laurie has some kind of ferromagnetic pheromone and I am made completely out of iron (it's all those Women's Daily supplements I'll bet). I was spoild by his and everyone at House's creative generosity. That's something that's hard to find in this business and so is hard to say good bye to.
But hello to this new project, which I am so excited about, clearly you can tell, because I've used the word "excited" one too many times in this post. As the article above says, the show centers around my character who is a young teacher in the world of public education in America. Who better to tackle this arena than Ed Burns? Guess what I am? Yep. EXCITED. My mother was a school teacher for almost 20 years, so this topic is very personal to me, as it is for most families in America today.
I will keep you posted on all the developments of this as they come along, including the Janet Fitch adaptation. If you haven't read it, Paint It Black is a fantastic read. Hopefully I can turn it into a fantastic film.
Amy Poehler’s blurb for Amber Tamblyn’s 2009 poetry collection Bang Ditto reads, “Amber Tamblyn’s writing is funny, thick, mean, strong, vulnerable, trippy and true.” Turns out much of the same can be said of Amber Tamblyn herself. While recognizable to many as an Emmy and Golden Globe-nominated actor—Joan of Arcadia, The Sisterhood of the Traveling Pants, House—Tamblyn has also made quite a name for herself as a poet, sharing the stage at poetry and spoken word events with the likes of Patricia Smith, publishing two well-received collections, and penning regular posts for the Poetry Foundation’s online community. This year she’ll be joining us in DC at the Poetry Out Loud National Finals where she’ll help to choose the 2011 National Champion. When we spoke with Tamblyn via e-mail, naturally the conversation turned to all things poetry.
NEA: What’s your version of the artist life?
AMBER TAMBLYN: Wake up in a new city. Whiskey breath. Poetry brain. Actress heart. Email Marilyn Manson: “Do you want to come read a poem at a show I’m doing? Great.” Ask Hugh Laurie: “Do you want to see how many times we can say a line of dialogue in a completely different way, winner buys drinks tonight? Great.” No limitations. No boundaries. Everyday is unpredictable. Send a poem to Jeffrey McDaniel. Get a poem from Patricia Smith. Give a reading for young women. Get an inspired letter from one of them. Hang out with my dad. Finger paint haiku with him on an old piano. Read those haiku while my mother plays guitar in the background while dad plays the piano. We all sing together. Harmony or bust. Sleep. Wake up in a new city. NEA: For you, what’s the relationship between acting and poetry? Do they inform each other? Is one a respite from the other? Are they one and the same?
TAMBLYN: They aren’t one and the same but they are equally important. I could not exist without both of them existing in my life at the same time. I can write about being an actress. Sometimes a scene from a movie or show can inspire a poem. I can run away from the Hollywood world by calling any number of poet friends and putting a little tour together—go read in Seattle or Portland, New York or Chicago, London or Scotland. I can reground myself by diving into a film role and pouring my energy into that for a little while.
NEA: Why do we—the general public—need poetry? Why do you need poetry?
TAMBLYN: Because we are the poem. Poetry is the thing you don’t write, it’s the thing you feel, it’s what you kiss, it’s what you sleep in, it’s what you smell, the way in which we need each other, the way in which we understand death without having experienced it. It’s how we express what we understand even though we may not know how we have come to understand it. And as a sub-conversation to this question: What’s even more important to me these days are good poetry shows, not just good poetry. This is what builds the audience for poetry in general. When you’re in a room with 200 people and you are creating a unique experience for everyone to have—this is holy. Poetry shows will eventually be the death of all organized religion. They will be the only church worth believing in.
NEA: What is your definition of creativity?
TABMLYN: Anything that inspires anyone. My father recalls going over to Dennis Hopper’s house, who was my godfather, and Dennis showed him the new painting he had bought. My father frowned and said to Dennis, “What’s so creative about a painting of a soup can? It’s so boring.” Anything can inspire. Anything can be creative. Anything can be art.
NEA: What do you think is the role of the artist in the community?
TAMBLYN: To give the community art.
NEA: Conversely, what do you think is the responsibility of the community to the artist?
TAMBLYN: To support the artist.
NEA: One of the unique aspects of the Poetry Out Loud competition is that participants are required to recite poems by other writers rather than write their own poems. What do you see as the value of this approach to engaging young people with poetry?
TAMBLYN: I have mixed feelings about this. Negative and positive but at the center of those feelings is intrigue. So many young poets now don’t read poetry of any generation. They write just to slam. Which is why it’s a mixed feeling—I both dearly love and hate slam poetry. I think it’s very important that our next generation of writers is familiar with the greats—whether Diane Di Prima or [Anne] Sexton or [Federico Garcia] Lorca or [Jack] Hirschman or [Christina] Rossetti. So I suppose for this event, it’s a great way to get our next generation of writers enthusiastic about the older generations of writers.
NEA: At the NEA, we say “Art Works.” What does that phrase mean to you?
TAMBLYN: It means the NEA knows how to rock a proper pun.
NEA: Anything you wish I would have asked, and how would you have answered?
The cast of House was invited to visit Israel and I was invited as an honorary House member by David Shore (thanks David!), creator of the show and pictured below to the right. We couldn't find Lisa for this pic but she is here with us and we are having an amazing time. If I eat one more chicken shwarma plate, my intestines are going to sue me. Hugh Laurie is of course on tour right now promoting his debut album so he couldn't join us, but he is missed.
Again, I can't rave enough about these cats I'm pictured with and yes I am from the 1950's. Ya dig?
This picture was taken on Israel's Independence Day in Tel Aviv. I will write up a full post of my trip as soon as I get back to London.
Сообщение отредактировал kahlan - Среда, 25.05.2011, 12:43
Лично за 13, но по началу была против Мастерс. Но в последней серии,когда она уходила, меня она поразила. Делала все, как всегда все делает Хаус. Круто было бы , если Мастерс и 13 работали до конца. Обожаю актрису Оливию Уайлд! И всех ее персонажей! Но 13-вне конкуренции!
а чего нет, ты посмотри, она почти на всех мероприятиях с ним ну чего, надеюсь у них на долго Cause we were never being boring, We were never being bored
Данный проект является некоммерческим, поэтому авторы не несут никакой материальной выгоды.
Все используемые аудиовизуальные материалы, размещенные на сайте, являются собственностью их изготовителя (владельца прав) и охраняются Законом РФ "Об авторском праве и смежных правах", а также международными правовыми конвенциями. Эти материалы предназначены только для ознакомления - для прочих целей Вы должны купить лицензионную запись.
Если Вы оставляете у себя в каком-либо виде эти аудиовизуальные материалы, но не приобретаете соответствующую лицензионную запись - Вы нарушаете законы об Интеллектуальной собственности и Авторском праве, что может повлечь за собой преследование по соответствующим статьям существующего законодательства.
Как же не хочется, что бы она уходила 
Ого! Не знаю, верить ли? 
